Hina Dilpazeer Khan

By Fouzia Mapara
Sunday, 25 Oct, 2009

It was by sheer luck that Hina landed the outstanding role of Saeeda in
Burnes Road ki Nilofer written by Fasih Bari Khan, after challenging the
director Mazhar Moin to find someone better than her to give depth to the
character.

“I knew I could do the role well. I’m grateful to Mazhar Moin for putting so
much trust in me. He cast me opposite TV veteran Abid Ali which was an honour
for a newcomer like me,” she said.

After Burnes Road ki Nilofer went on air, Hina’s phone rang incessantly
throughout the night with offers and appreciation. “When something new and fresh
goes on air and is loved by all who see it, uss ka lutf hi kuch aur hai. I got a
call from someone who wanted to speak to the person who played Saeeda. I told
her it was me but the person on the line said, ‘Nahin, woh to bohot jahil si
khatoon theen, mujhe unn se hi baat karni hai!’”

While wanting to start an acting career, Hina set off on the grueling task of
visiting TV channels to look for work with no contacts but just determination
and talent, “I have nothing against people who didn’t give me a break. As a
newcomer, it is difficult to prove one’s talent and people here don’t have the
time for evaluation. Maybe what our media lacks is the mature, seasoned eye that
can spot talent a mile away.

“We are in a race against time, and very little time is spent on looking for
the right person to do the job. Even if people come up to me and say ‘I can act
very well, please get me a role’, I would be too busy to find anything suitable
for them. Likewise, those working for TV channels are too busy.”

After Burnes Road ki Nilofer and the unprecedented success, offers and
opportunities, there’s been no looking back for her. Madam Rizwana and Baby
Shabana, Bichhu Phuppi and Veena, to name just a few, are just some of Hina’s
best work on television. She’s accused of taking all the choicest roles, “Loge
kehte hain sab achhay roles Hina Dilpazeer ko dediye jaate hain.”

Sometimes it worries her, feeling obsessed and nervous if she can’t do
justice to the writer’s creation, “No one can ever guarantee public response,
even if I know that the role has a lot of potential for me as an actress. It
happens with most of the roles that I get: I ask myself if I can be this person
and to at least give it a try. If I feel a role is powerful then I also put in
my best. I have to try and make a difference.

“I have always wanted to live many lives in this one life; lives of the rich,
the impoverished, the disabled and even the blessed. Any interesting person who
catches my attention, I try and enter his or her world through my imagination,
curious to know how I would feel in their situation. I have always been like
this, I would get told off for what appeared to others like I was imitating them
but in reality I was so deeply absorbed in a fascinating character that I would
be subconsciously following mannerisms, gestures and gait. I always wanted to
become the medium to deliver those feelings, sensitivities and stories to
audiences.”

Hina’s debut as an actress has been rather late. Why not earlier? “I was in
the UAE and it had always been my dream to make my debut and establish myself as
an actress from Pakistan. I am fine working anywhere else once I am recognised
as a product of Pakistan. I have no desire to acquire another passport or
nationality. There is enough work to be done here.”

Her initial challenge was that she didn’t fit the bill for a young attractive
actress to be caste as a leading lady. “Nobody would say haan bhai yeh bauhat
khubsoorat larki hai isse leliya jaye. To convince someone that you can act
without any prior experience is difficult but I was determined to impress.” In
that, she has also shattered the stereotype and set the ball rolling for
character actresses who share the spotlight with the lead pair and are just as
popular with the viewers. In a short time she has given a lot of variation by
doing the juiciest characters.

Today, Hina seems to have swept over the mini-screen, filling the gap left by
the late Arshe Munir, Ishrat Hashmi, Atiya Sharf and Sarwat Ateeq, “If I feel I
don’t have the capacity for a role, I won’t accept it. Recently, before I got
the script somebody told me about the role, and later when I saw the script it
was a word-by-word copy of an Indian sitcom. I refused although I felt a bit
sorry afterwards because the director was good. At times I ask for more money to
discourage bad roles but I am quite sure about one thing: I don’t want to make
any compromises,” she said.

Is it true that Hina Dilapzeer might have surpassed seasoned actresses Zeba
Shehnaz and Bushra Ansari as a performer par excellence? “No one can push anyone
over. Insaan kab berang hojata hai, usko khud nahin pata chalta. I feel it is a
miracle of God that people like my work. Before I came, plays were being done
and they will continue even when I’m not there. Each and every character has to
be composed, created and brought out from inside you. If your aim is to become
famous, your performance will suffer as an actor. Acting is such a dangerous
field and one should not enter unless (s)he is sure that this is what (s)he
wants. You have to be focused, responsible and then leave the rest to destiny.”

Hina says it her dream to work in a play by the late Ashfaque Ahmed and/or
Bano Qudsia, “Their plays had huge messages and if only I could become a tiny
part of that message, it would be a great honour for me. My aim is not to
capture audiences, all I want to do is give life to the character I play. If I
get two similar roles, I would perform them in a way that they appear different,
just like each person will arrange the same bunch of flowers in a particular
way. It depends on the actor’s vision how the character is presented.”

All praises for senior PTV actors, about her contemporary artistes and
co-workers Hina said, “We are in a rapidly moving river and it is up to us to
swim against the tide. We need to work with honesty and touch reality.” Since
everyone is so busy these days, she believes nothing registers with audiences
like a serial or a soap. “I like doing teleplays so that whole story starts,
builds, climaxes and ends in one go; leaving a strong impact on the viewer.”

While living in the UAE, Hina said she also experimented with radio, “I would
love to write and perform radio plays. You can give so much variation to your
voice on radio, just like when you put your hand inside a bag and a whole new
world of textures opens up, it’s as though your fingertips have sprouted eyes.”

The person closest to Hina was her late father. “He passed away not very long
ago and he was my friend, my biggest support, my inspiration. From him I learnt
to be forthright, honest and straightforward. He would say to people upfront if
he didn’t like something about them. He has left a big vacuum in my life that
nobody can fill. I feel that he still supports me and he is still with me in
spirit.”

Was Hina exposed to characters like Bichhu Phupi, Saeeda and Baby Shabana or
had she experienced similar situations. How does she get so real?

Before I was offered the title role of Bichhu Phuppi, I had already read the
story several times. “Ismat Chughtai is my all time favourite writer. There was
a time jab chup chup kar parhti thi and when I grew older, my mother would
actually discuss the stories and ask me whether I had read this one or that one.
When I read something interesting, I begin to live the main character. I think
other people do that too. You seem to relate to or go through all that the
character experiences in the story.

Bichhu Phuppi’s character was already lying dormant in my system and all I
did was to bring it out. I was worried if I could do it as well as it was
written or not. What I didn’t like though was that they made me wear a white wig
which did not look quite right. If they had made my own hair completely white,
it would have looked much better.”

“I remember all the Fasih Bari Khan plays that I have done and they will
always remain with me. I recently did a play called Rating by Anwar Maqsood. It
was about a woman who wants to launch an acting career, has no talent but a
parchi. It was of course very well-written and hilarious. I wore a short-haired
wig and a sari and I loved my look. She would run after everybody and say ‘mujhe
drop kardein’. In the end a director says ‘Mein apko drop hi kar ke ja-raha hoon’!”

“Usually we judge people and react to them in a typical way, but I always
like to find out why they are the way they are. What happened to them to make
them a certain way. What is the real story behind their exterior. People usually
open up to me and I know secrets and inner feelings of so many people but it
remains deep inside me and I would never divulge anything about anyone to
another soul. When I meet strangers, I listen to them, I feel everyone has
something to say but no one to listen to them. I love to understand people.
Recently, while doing Manji, a Sheema Kirmani theatre play, I met a female
sweeper and discovered a most interesting, deep woman. Her eyes sparkled as she
told me that she loved to be on stage like me, she sang for me and told me how
violent her husband was and what a strong person she was! There are characters
around us everywhere. If someone catches my eye, that person will live inside me
till I can play her. I like to talk to people without being personal or
curious.” — F.M.